Photos courtesy of Imaxtree
According to an update from Alexander McQueen’s Twitter feed the “Savage Beauty” retrospective of McQueen’s work at the Metropolitan Museum has recieved more than HALF A MILLION visitors.
That is absolutely amazing and so well deserved. McQueen was a genius.
From the Official Royal Wedding 2011 website-
The Wedding Dress
“Miss Catherine Middleton’s Wedding Dress has been designed by Sarah Burton at Alexander McQueen.
Miss Middleton chose British brand Alexander McQueen for the beauty of its craftsmanship and its respect for traditional workmanship and the technical construction of clothing. Miss Middleton wished for her dress to combine tradition and modernity with the artistic vision that characterises Alexander McQueen’s work. Miss Middleton worked closely with Sarah Burton in formulating the design of her dress.
The dress epitomises timeless British craftsmanship by drawing together talented and skilled workmanship from across the United Kingdom. The dress design pays tribute to the Arts and Crafts tradition, which advocated truth to materials and traditional craftsmanship using simple forms and often Romantic styles of decoration. Ms Burton’s design draws on this heritage, additionally giving the cut and the intricate embellishment a distinctive, contemporary and feminine character.
The lace applique for the bodice and skirt was hand-made by the Royal School of Needlework, based at Hampton Court Palace. The lace design was hand-engineered (appliqued) using the Carrickmacross lace-making technique, which originated in Ireland in the 1820s. Individual flowers have been hand-cut from lace and hand-engineered onto ivory silk tulle to create a unique and organic design, which incorporates the rose, thistle, daffodil and shamrock.
Hand-cut English lace and French Chantilly lace has been used throughout the bodice and skirt, and has been used for the underskirt trim. With laces coming from different sources, much care was taken to ensure that each flower was the same colour. The whole process was overseen and put together by hand by Ms Burton and her team.
The dress is made with ivory and white satin gazar. The skirt echoes an opening flower, with white satin gazar arches and pleats. The train measures two metres 70 centimetres. The ivory satin bodice, which is narrowed at the waist and padded at the hips, draws on the Victorian tradition of corsetry and is a hallmark of Alexander McQueenâ€™s designs. The back is finished with 58 gazar and organza covered buttons fastened by Rouleau loops. The underskirt is made of silk tulle trimmed with Cluny lace.
French Chantilly lace was combined with English Cluny lace to be hand-worked in the Irish Carrickmacross needlework tradition.
All other fabrics used in the creation of the dress were sourced from and supplied by British companies. The choice of fabrics followed extensive research by Sarah Burton and her team.
The Royal School of Needlework
The Royal School of Needlework (RSN), based at Hampton Court Palace, assisted the Alexander McQueen team in accurately cutting out the delicate motifs from the lace fabrics and positioning the lace motifs with precision into the new design. The lace motifs were pinned, framed up and applied with stab stitching every two to three millimetres around each lace motif. The workers washed their hands every thirty minutes to keep the lace and threads pristine, and the needles were renewed every three hours, to keep them sharp and clean.
The RSN workers included existing staff, former staff, tutors, graduates and students, with the youngest aged 19.
The RSN work was used primarily for the train and skirt of the Brides dress, the bodice and sleeves, the Brides shoes and the Brides veil.
Veil and Jewellery
The veil is made of layers of soft, ivory silk tulle with a trim of hand-embroidered flowers, which was embroidered by the Royal School of Needlework. The veil is held in place by a Cartier a halo tiara, lent to Miss Middleton by The Queen. The a halo tiara was made by Cartier in 1936 and was purchased by The Duke of York (later King George VI) for his Duchess (later Queen Elizabeth The Queen Mother) three weeks before he succeeded his brother as King. The tiara was presented to Princess Elizabeth (now The Queen) by her mother on the occasion of her 18th birthday.
The Brides earrings, by Robinson Pelham, are diamond-set stylised oak leaves with a pear shaped diamond set drop and a pava set diamond acorn suspended in the centre. Inspiration for the design comes from the Middleton family’s new coat of arms, which includes acorns and oak leaves. The earrings were made to echo the tiara. The earrings were a personal gift to the Bride from her parents for her Wedding Day.
Robinson Pelham have also designed and made a pair of diamond earrings for Miss Philippa Middleton. These earrings are more floral in nature to compliment the headpiece worn by Miss Philippa Middleton during the Service.
A tourmaline and diamond pendant and matching earrings have been designed and made for Mrs. Carole Middleton. Two gold stick pins, one with a single gold acorn at the head and the other with an oak leaf, are also worn respectively by the Father of the Bride, Mr. Michael Middleton, and the Bride’s brother, Mr. James Middleton.
The wedding shoes have made hand-made by the team at Alexander McQueen and are made of ivory duchesse satin with lace hand-embroidered by the Royal School of Needlework.
The Brides Bouquet
The bouquet is a shield-shaped wired bouquet of myrtle, lily-of-the-valley, sweet William and hyacinth. The bouquet was designed by Shane Connolly and draws on the traditions of flowers of significance for the Royal Family, the Middleton family and on the Language of Flowers.
The flowers meanings in the bouquet are:
Lily-of-the-valley Return of happiness
Sweet William Gallantry
Hyacinth Constancy of love
Ivy: Fidelity; marriage; wedded love; friendship; affection
Myrtle: the emblem of marriage; love.
The bouquet contains stems from a myrtle planted at Osborne House, Isle of Wight, by Queen Victoria in 1845, and a sprig from a plant grown from the myrtle used in The Queens wedding bouquet of 1947.
The tradition of carrying myrtle begun after Queen Victoria was given a nosegay containing myrtle by Prince Alberta’s grandmother during a visit to Gotha in Germany. In the same year, Queen Victoria and Prince Albert bought Osborne House as a family retreat, and a sprig from the posy was planted against the terrace walls, where it continues to thrive today.
The myrtle was first carried by Queen Victoria eldest daughter, Princess Victoria, when she married in 1858, and was used to signify the traditional innocence of a bride.
Miss Philippa Middleton’s Dress
Miss Philippa Middleton’s dress was designed and created by Sarah Burton at Alexander McQueen. It is of a heavy, ivory satin-based crepe, with a cowl front and with the same button detail and lace trims as the Bride’s dress. ”
For all the details and more check out the official royal wedding site at http://www.officialroyalwedding2011.org/tag/homepage/page/1
I was lucky enough this week to meet Andrew Bolton, Curator at the Costume Institute in New York. He toured Fashioning Fashion and was giving a lecture to LACMA’s Costume council about his past exhibit American Woman: Fashioning a National Identity (May 5, 2010â€“August 15, 2010). It was truly an inspirational exhibition and I wish I could have seen it in New York. I hope I am in the area in time for his next exhibition on Alexander McQueen.
May 4, 2011â€“July 31, 2011
Iris and B. Gerald Cantor Exhibition Hall, 2nd floor
I think this is really cool and well deserved. The Metropolitan Museum of Art in New York is going to pay tribute to the late fashion designer Alexander McQueen with a 2011 exhibit at the Metropolitan Museum of Art’s Costume institute. The exhibition will feature the best of McQueen’s Iconic cult like dresses. The exhibit will run from May 4th-July 30th. If your in New York you should definitely see it. McQueen was a one of a kind genius who will be missed from the fashion world.